Ambiguities of composition and facture are just two of the paradoxes presented by the work of Ryan Sullivan. Complicating the “events” of viewership and production, Sullivan’s paintings signal a longer and more complicated life for the object.

Paul Sharits Film Screenings – 7PM: Ray Gun Virus (1966), Peace Mandala/End War (1966), Tails (1976), Apparent Motion (1975)

Talk – 8PM: Ryan Sullivan, Alex Gartenfeld, Dancing Foxes Press