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Folding The Black Flag
Basel Reception & Noise Opera
December 2 - December 6 2014
All Day
PERFORMANCE AT 8:30
Static works will also be on view and available as tactile references of historiographical folds and semiotic carbon offsets for the bourgeoisie and other animals.
GALLERY HOURS 12-6 DAILY WITH IMPROMPTU EVENING/NIGHT GATHERINGS
The exposition features an historical ‘Folding’ of Dadaist, Anarchist, and Post-Deconstructionist Non-Philosophies. Bodies in varying states of medical dissonance and decay (More Dead White Men) stand as analog reflections of capitalist collapse paradigms, a series of Death Marches through the organs of the beast, the construction and installation of hypertextualized totems throughout the urban landscape, a serialized Noise Opera. The paintings, intervened items, text assemblages and combines of the polycephalous AOS body simultaneously desacralize and reify the crumbling detritus of self-cannibalizing refuse-culture into a phoenix of asocial third gender euphoria. Anti-Object, Anti-Art, Anti-AOS.|||
A collaboration of James Concannon and Kalan Sherrard with site-specific installations, impromptu evening/night gatherings and a series of performance interventions throughout Miami proper and its art markets.