The Bakehouse Art Complex presents a group exhibition featuring works by Maria Theresa Barbist, Amanda Bradley, Gabriela Garcia, Nathan Harris, Sarah Henderson, and Gianna Riccardi.

The works featured in the exhibition reimagine the photograph as a blueprint for sculptural intervention rather than a finite imprint of the past.

In their individual practices, the artists question what occurs when the traditionally flat photographic plane meets sculpture’s three dimensions, lending materiality to a medium that has become increasingly immaterial.

Presenting sculptures that masquerade as photographs, photographs with sculptural appendages, and work with equal footing in both media, the artists take varied approaches to hybridization, and each to their own ends.

Together, the artists treat images as jumping-off points for new experiences rather than records of old ones.